ColossiansOne

Tradition

Greek

The Olympians and the chthonic powers, and the daimon — a word that meant 'spirit' long before it meant 'demon'.

22 entities6 source texts18 marks21 disputed1 infernal

What is the Greek tradition?

The Greek contribution is above all a word. Daimon meant an intermediate spirit, morally neutral and often benign — Socrates had one, and it advised him. Early Christian writers translated it into Latin as daemon and applied it to the gods of everyone else, and the word arrived in English carrying a judgement it had never originally had.

Beyond the vocabulary, Greek religion supplies the chthonic material: a structured underworld, a goddess of crossroads and witchcraft, and a set of hybrid monsters that later demonology reuses as forms. Hecate in particular becomes a template — a goddess with genuine cult who is progressively refigured as a witch-queen.

The philosophical layer matters too. Middle Platonism gave the later tradition a graded cosmos of intermediate beings between the divine and the material, which is the framework the ranked angelic hierarchies are eventually poured into.

Which texts does this tradition rest on?

The Iliad

Homer; tr. Samuel Butler · c. 750 BCE

The oldest Greek poem of any length, and the one that decided what a god was allowed to be in this literature: partisan, woundable, capable of being deceived by another god and of sulking about it. Ares is stabbed by a mortal with Athena guiding the spear and goes home to complain to his father, who tells him he is the most hateful of the gods. Nothing in the corpus does more to explain why later moralists found this pantheon so easy to condemn.

11 entries contributed

Theogony & Works and Days, c. 700 BCE — title page or representative image

Theogony & Works and Days

Hesiod · c. 700 BCE

The Greek succession myth and the Titanomachy. Hesiod's daimones are benign spirits of the golden race — the semantic drift from that to 'demon' happens entirely in Jewish and Christian Greek.

17 entries contributed

The Homeric Hymns

Anonymous; attributed in antiquity to Homer; tr. Hugh G. Evelyn-White · c. 700–500 BCE

Thirty-three poems addressed to individual gods, each setting out what that god presides over and how the honour was won. They are the best evidence in this corpus for Greek religion as practised rather than as arranged: the hymn to Demeter tells the abduction of Persephone and ends by founding the rites at Eleusis, and the hymn to Hermes has a god establish his own claim to a share of the sacrifices by theft and by argument.

10 entries contributed

The Oresteia, 458 BCE — title page or representative image

The Oresteia

Aeschylus; tr. E. D. A. Morshead · 458 BCE

The trilogy that puts the Erinyes on stage pursuing Orestes and then, in the Eumenides, argues them into becoming guarantors of Athenian justice. A tradition incorporating its avenging spirits rather than expelling them.

2 entries contributed

The Histories, Book II, c. 430 BCE — title page or representative image

The Histories, Book II

Herodotus; tr. G. C. Macaulay · c. 430 BCE

A Greek tourist's account of Egyptian religion, written when the temples were still working. Credulous in places and invaluable in others; his description of the festival at Bubastis is the only surviving eyewitness report of it.

5 entries contributed

Greek Magical Papyri IV.3007-86: the Spell of Pibechis

Anonymous · c. 300 CE (papyrus); older material

A Greco-Egyptian exorcism that adjures the spirit by the god of the Hebrews and by Jesus, centuries before any Christian rite was standardised. The bridge exhibit between the grimoire tradition and the liturgical one: the same four moves, in the same order, with none of the institutional framing.

0 entries contributed

Which marks belong to it?

Oldest first. A mark used by several traditions appears on each of their pages — which is the point: the shapes crossed these boundaries far more easily than the names did.

The Pentagram

from c. 3000 BCE

A five-pointed star drawn in one unbroken line — an accounting mark, a Pythagorean password, a Christian emblem of the five wounds, and only recently a sign of evil.

The Swastika

from c. 2500 BCE

An auspicious mark used continuously for four and a half thousand years across most of the world, and destroyed as a public sign in the West by twelve years of one European party's use of it.

The Ouroboros

from c. 1600 BCE

A serpent swallowing its own tail, first drawn around the sun god in an Egyptian tomb and still in use three thousand years later as a diagram of a closed system.

The Nazar

glass form from c. 1500 BCE

Blue glass with a white and black eye at its centre, worn on the theory that a look can be sent back.

The Gorgoneion

from c. 700 BCE

A severed monster's face on a shield, a roof tile, an oven and a coin — the most-produced apotropaic image of the ancient Mediterranean.

The Caduceus

from c. 700 BCE

Two snakes twined on a winged staff — the badge of a herald under safe conduct, and, through a filing error, the emblem of American military medicine.

The Delphic Tripod

c. 800 BCE – 390 CE

A three-legged bronze stand and the seat of the Pythia — the piece of furniture that authorised more Greek political decisions than any assembly.

The Ephesia Grammata

attested from c. 400 BCE

Six meaningless Greek words, said to have been written on the statue of Artemis at Ephesus, and spoken or worn as protection for a thousand years.

The Hand of Sabazios

c. 100–300 CE

A bronze right hand raised in blessing, crowded with small figures — a pine cone, a snake, a frog, a lizard — mounted on a pole and carried in the rites of a Thracian god at Rome.

The Abraxas Gem

2nd–4th century CE

A rooster-headed figure with snakes for legs, cut into jasper by the thousand, and the numerological reason a magic word means 365.

Saturn

current forms c. 6th–11th century CE

The scythe. Slowest planet, heaviest metal, and the authority a grimoire invokes for work involving binding, decay and the dead.

Jupiter

current forms c. 6th–11th century CE

A stylised Greek zeta for Zeus. The sign of increase, favour and judgment in one's favour — the grimoires' preferred authority for asking.

Mars

current forms c. 6th–11th century CE

Shield and spear, iron, Tuesday — and, since Linnaeus, the biological sign for male, which is a much later and quite separate job.

The Sun

current forms c. 6th–11th century CE

A circle with a point at its centre — the oldest form in the set, and the one the alchemists used for gold without further explanation.

Venus

current forms c. 6th–11th century CE

Copper, Friday, and every operation to do with love and favour — the counterpart to Mars in the grimoires long before it was in biology.

Mercury

current forms c. 6th–11th century CE

A caduceus drawn as a glyph — the one sign in the set that names a metal, a planet and a god that all behave the same way.

The Moon

current forms c. 6th–11th century CE

A crescent, silver, Monday — the planetary authority for anything involving dreams, water, change and things done at night.

The Elemental Triangles

standard from the 17th century

Four triangles, two pointing up and two down, two barred and two not — the whole classical element scheme in a single notation.

Who is filed under Greek?

Ordered by attestation score — how early and how independent the texts that name each figure are, rather than how famous the figure has since become.

Artemis

Mistress of Animals · Greek

100

Huntress and protector of the young, whose Ephesian cult statue looks nothing like her and whose temple gave the ancient world one of its most durable protective formulas.

DisputedGreekc. 700 BCE
4 sources4 powers
Historical depiction of Hades, Greek Lord of the Underworld deity

Hades

Lord of the Underworld · Greek

100

Ruler of the dead by lot rather than by punishment — a god of the underworld who is not evil, a distinction Christian cosmology cannot express.

DisputedGreekc. 700 BCE
4 sources3 powers
Historical depiction of Jupiter, Roman King of the Gods deity

Jupiter

King of the Gods · Roman

100

Sky-father and state god of Rome, identified with Zeus by the *interpretatio romana* — the ancient world's official policy of treating foreign gods as one's own under different names.

DisputedRomanc. 500 BCE
4 sources3 powers
Historical depiction of Saturn, Roman God of the Golden Age deity

Saturn

God of the Golden Age · Roman

100

Deposed father of Jupiter. His December festival inverted the social order for a week, and his planet later became the astrological signature of melancholy and malice.

DisputedRomanc. 500 BCE
5 sources2 powers
Historical depiction of The Daimones, Greek Class of Spirits deity

The Daimones

Class of Spirits · Greek

100

Guardian spirits — Socrates had one that advised him — whose name the Greek scriptures borrowed for evil spirits, permanently poisoning the word.

DisputedGreekc. 700 BCE
4 sources2 powers
Historical depiction of Hecate, Greek Goddess of Crossroads deity

Hecate

Goddess of Crossroads · Greek

97

Hesiod has Zeus honour her above all others. By the medieval period she presides over witchcraft instead, a demotion with no wrongdoing attached to it anywhere.

DisputedGreekc. 700 BCE
4 sources4 powers
Historical depiction of Apollo, Greek God of Prophecy deity

Apollo

God of Prophecy · Greek

90

Oracle-giver at Delphi, and the god who both sends plague and lifts it. Later traditions split that duality between an angel and a demon; Greece kept it in one figure.

DisputedGreekc. 700 BCE
3 sources4 powers
Historical depiction of Ares, Greek God of War deity

Ares

God of War · Greek

90

War as slaughter rather than strategy — disliked by the Greeks who worshipped him, and rehabilitated entirely by the Romans as Mars.

DisputedGreekc. 700 BCE
3 sources3 powers
Historical depiction of Athena, Greek Goddess of Wisdom and War deity

Athena

Goddess of Wisdom and War · Greek

90

Born from the head of Zeus, and the only Olympian to hold both war and craft. Where Ares is violence, she is strategy.

DisputedGreekc. 700 BCE
3 sources4 powers
Historical depiction of Hermes, Greek Messenger of the Gods deity

Hermes

Messenger of the Gods · Greek

90

Herald, psychopomp, patron of boundaries and of thieves — the exact functional counterpart of Gabriel, plus everything Gabriel is not allowed to be.

DisputedGreekc. 700 BCE
3 sources5 powers

Poseidon

Lord of the Sea · Greek

90

God of the sea and of earthquakes — 'earth-shaker' — who receives the waters in the same three-way division that gives Hades the underworld.

DisputedGreekc. 700 BCE
3 sources3 powers
Historical depiction of The Erinyes, Greek Avenging Spirits deity

The Erinyes

Avenging Spirits · Greek

90

Born from the blood of the castrated Ouranos, they pursue kin-murderers without appeal. Christian tradition later hands that office to demons; in Greece it belongs to the gods.

DisputedGreekc. 700 BCE
3 sources3 powers
Historical depiction of Zeus, Greek King of the Gods deity

Zeus

King of the Gods · Greek

90

Sky-father and enforcer of oaths, whose name descends from the same Indo-European root as Jupiter and Dyaus.

DisputedGreekc. 700 BCE
3 sources4 powers
Historical depiction of Persephone, Greek Queen of the Underworld deity

Persephone

Queen of the Underworld · Greek

85

Carried below and bound to return each year by six pomegranate seeds. She is sovereign of the dead and the returning grain at once.

DisputedGreekc. 700 BCE
3 sources3 powers
Historical depiction of Set, Egyptian God of Storms and Disorder deity

Set

God of Storms and Disorder · Egyptian

85

Murderer of Osiris and defender of the sun-barque — a god who was worshipped as a royal patron for two millennia before being recast as the enemy.

DisputedEgyptianc. 3000 BCE
3 sources4 powers
Historical depiction of Typhon, Greek Titan of Storms deity

Typhon

Titan of Storms · Greek

85

The hundred-headed monster who nearly unseats Zeus, identified by the Greeks with Set and echoed in Revelation's dragon.

DisputedGreekc. 700 BCE
3 sources2 powers

The Gigantes

Earth-born Adversaries of the Olympians · Greek

80

Born from the earth and the blood of a castrated sky, they fight the Olympians and lose — and the English word giant descends from them rather than from anything in Genesis.

DisputedGreekc. 700 BCE
3 sources2 powers
Historical depiction of Charon, Greek Ferryman of the Dead deity

Charon

Ferryman of the Dead · Greek

55

The ferryman of the Greek underworld, who takes the dead across and takes payment for it. The coin placed in a corpse's mouth was his fare.

DisputedGreekc. 700 BCE
2 sources2 powers
Historical depiction of Pluto, Roman Lord of the Underworld deity

Pluto

Lord of the Underworld · Roman

55

The Roman Hades, whose alternative name Orcus survives in 'ogre' — and whose realm supplied Christian writers much of their imagery for hell.

DisputedRomanc. 400 BCE
2 sources2 powers

Tartarus

The Deep Below the Dead · Greek cosmology

55

The Greek pit below Hades, built to hold defeated gods rather than dead people, and borrowed once by the New Testament to say where the sinning angels went.

Disputedc. 700 BCE
2 sources0 powers
Historical depiction of Thoth, Egyptian God of Writing and Judgment deity

Thoth

God of Writing and Judgment · Egyptian

55

Scribe of the gods, who records the weighing of the heart — an office matching Metatron's almost exactly, and the seed of the whole Hermetic tradition.

DisputedEgyptianc. 2600 BCE
2 sources4 powers

Alastor

Executioner · Infernal Court

42

A Greek word for the avenging spirit of a household's blood-guilt, taken up by demonologists as hell's executioner.

Infernalc. 458 BCE
2 sources3 powers